S/he is the first Japanese anime and manga series that stars a character who pilots the titular cosmic defender. S/her story made it to Mars, where she met Sailor Pluto on her quest to find out what happened with Earth’s princesses after they disappeared into thin air.
“Sailor Moon” is a manga and anime series created by Naoko Takeuchi. It has been adapted into various media, including a 26-episode original video animation (OVA) released in 1992, an anime television series produced by Toei Animation that aired from 1992 to 1997, and a live-action movie released in 1993. Read more in detail here: rei sailor moon.
Welcome to the seventh installment of my Cosmic Convos. It’s great to learn that more and more people are reading my weekly piece. Artists often tell me that the ideas and working practices of the artists I highlight inspire them. I really hope that my articles might inspire young artists by providing insight into the thoughts of all the incredible artists I have the pleasure of speaking with! If you aren’t an artist, I hope you appreciate learning about the person behind the work. Hearing the tales of the artists I like fascinates me, despite the fact that I am not an artist myself! Hearing these artists’ experiences has the ability to motivate you in your own life.
It’s not surprising, but it’s amusing to realize that the artists I like are often influenced by the same things. It should come as no surprise that I like anime. Anime’s influence may frequently be seen in the work of particular artists. One of these painters is Felix Thirasat. Although he draws influence from video games and anime, he has developed his own distinct style. I adore his portrayal of his characters. When I look at his work, I see more than simply a character; I see a tale. One of his main objectives is to produce work, in whatever form, that touches others in the same way that particular anime and games have moved him. His effort has already pleased me, and I am certain that he is well on his way to reaching this lovely aim.
Rei: Hello, Felix! I usually begin by inquiring about the artist’s name, but I believe you’re using your own! Could you tell me more about yourself and your background?
Felix: Hi! My name is Felix Thirasat, and I’m a freelance artist from Germany. I am a 21-year-old communication design student at HTWG Konstanz who is half German and half Thai. I get a lot of my inspiration from anime and video games, and I want to use my work to build my own universe. But, in general, I like sketching women.
Rei: How long have you been creating artwork? You like painting females in a certain way. How has your artistic style changed over time?
Felix: I’ve always been an artist. I’ve been sketching since I can remember. It probably started in kindergarten, when I was usually in the arts and crafts section sketching everything a child would find interesting, whether it was dragons, rockets, or pirate ships. Later in high school, I became primarily interested in automobile design. My initial dream job was to work for Lamborghini as an automobile designer. At the time, I even performed a little internship via our school. However, it wasn’t long before I found anime. The automobiles were soon forgotten, and gorgeous anime females took their place. My major passion and motivation became drawing people, characters, and conveying tales with my paintings. From then, being a concept artist seemed obvious, so I determined to practice, study, and eventually grind my way to that objective. On that quest, I came across two artists, Evan Lee and Krenz Cushart, who were major influences and inspirations for my present art style. I now feel like I’m coming closer to my own style after numerous experiments.
Rei: I’m sure you’ve done fan art as well. Are these sources of inspiration for your own artwork, and what additional sources of inspiration do you have?
Felix: I mostly use fanart to experiment with various styles and processes since it enables me to ignore the designing aspect and concentrate just on drawing. As a result, I feel like I’ve made significant work on several of these fanarts. My fanart’s topics are undeniably powerful sources of inspiration for me. These are usually characters from anime shows and games with whom I have a strong emotional connection, or just designs that I enjoy.
Rei: How much time do you spend each day working on art? How long does it take you to create your art, and how does this process work?
Felix: I like to believe I’m rather speedy when it comes to completing a project. If I had to set a time limit on it, each item would take between 10 and 30 hours to complete. Some elements come readily, while others may need some trial and error. Procreate, my preferred drawing application, is where I spend the most of my time. I appreciate how it gives me a haptic sensation when I use it. It helps me to forget about the interface and any obstacles, allowing me to concentrate just on the work. Rough concepting, lineart, coloring, and rendering are all part of this process. For me, the most difficult but also the most gratifying step is concepting. This is when I can see the final item for the first time in my mind. But it’s the rendering that’s the most enjoyable. Allowing me to unwind when the pencil nearly moves by itself. I can spend hours working on a single piece, sometimes forgetting to eat and sleep in the process. Once you’ve gotten into the swing of things, art can become rather addicting.
Rei: Do you intend to convey a certain message via your art or the way you create your characters?
Felix: I don’t believe I have a single message I wish to convey. To be honest, I’m still undecided about what I want to say or even whether I have anything to say. There is, however, something I would want to convey. When people connect with an artwork, I believe something beautiful occurs. I’m not sure how to put that into words, but that’s what I’m aiming for. Maybe I’m simply conveying my narrative via my work, and I want people to be a part of it.
Rei: You also create NFTs of your works of art. How long have you been doing this, and how has the space treated you thus far?
Felix: My first piece was minted in mid-April, but I took a lengthy pause before minting the following one. I never sold my Genesis since I was swamped with university examinations at the time. I recognized this space’s potential and wanted to be a part of it, but I didn’t know how. However, a buddy of mine encouraged me to ultimately mint my second and, subsequently, first piece, which I sold a few months later. That was the first time I really believed I could succeed in this field. I joined the Anifam discord at the same time, which is a public discord for all anime nft artists and collectors. This, I believe, is one of the key reasons I’ve had so much pleasure thus far. The love and support in this group just encourages you to go higher. With that said, I’ve had an incredible experience so far.
Rei: Do you have any particular objectives in mind for the NFT space?
Felix: I’ve been tremendously inspired and touched by a few anime episodes and games, and I’d want to make something that does the same for someone else at some point. This is a lifelong ambition of mine, and I really want to realize it.
Rei: In the NFT realm and in general, which artists do you admire the most?
Felix: Krenz Cushart and Evan Lee, as previously noted, were big influences on me and my style. Evan’s renderings and Krenz’s use of light are incredible. Apart from them, there’s TBChoi, who has a form design I could only dream of, and Kim Jung Gi, who is a legend in his own right. When it comes to NFT musicians, Jisu is my personal fave. I’m a huge fan of the colors and rendering in their work. Asevcart, Kevthepainter, and Alfonso Santano are just a few of the lesser artists I adore. There are a lot of things I didn’t discuss… I could probably talk for hours about my favorite musicians.
Rei: Do you ever consider what the future could hold? What do you anticipate the world will be like in the next ten or twenty-five years? What role do you believe NFTs will play in the future?
Felix: Yes, at all times. I believe we have reached a period in history when we have the ability to influence and control our own destiny. The metaverse’s potential appeal to me, and I hope we may eventually achieve a genuinely decentralized internet in which everyone has their own NFT avatars roaming around an ar, VR-powered universe. I don’t believe it’s too far-fetched to envisage being able to live in space while being linked to everyone on Earth through virtual reality. Perhaps a new type of media will emerge from this location? Something like a groundbreaking real-life game or a deeper metaphysical experience made by watching a movie in your head and memories? At that time, we may have even genetically created catgirls. What I am convinced of is that we cannot even begin to anticipate what life will be like in the future.
Rei: Finally, what is the best place for folks to learn more about you and your work?
Felix: I mostly use Twitter, although I still have some older stuff on Instagram. There are three NFTs in my collection: Foundation, Knownorigin, and Objkt.
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